Hope Crashes: The Lit Fic Story I Never Tell

Author’s Note: It would be in poor taste not to acknowledge my huge privileges in life before saying the things I’m about to say. I’m white, cisgender. Though I grew up economically disadvantaged, my father got it together by my teenage years and brought me to middle class suburbia for high school which created another set of wild and varied life experiences for another discussion another time. I inherited money because of my privilege, the unions, and because my grandparents were depression-era savers. Many suffered and continue to suffer much worse than I did as a result of not only the financial collapse of 2008 but because of systemic injustice built into our society. Those are their stories. This is only mine.

Content and Trigger Warnings: Discussion of financial instability and insecurity, debt, recession, job loss, C-PTSD, misdiagnosis, brief mention of sexual assault and domestic violence (nondescriptive).


I write about my experiences with my creative writing workshop a lot. Here. On Twitter. I crack jokes and complain about lit fic. I talk openly about how the pursuit of writing The Next Great American Novel broke me.

That’s a simplistic view of things, truth be told.

What really broke me was the 2008 financial crash.

White hand holding a cell phone showing a crashing stock. 
Image sourced via Pixabay.

Which started in 2007. Arguably before then, but for this post let’s start in 2007.

In February of 2007, I celebrated my 19th birthday as the US housing bubble burst. I was a freshman at UNC Chapel Hill, trying to find myself. Partying too much and sleeping at weird hours. Taking a Milton class I loved, learning how the devil is the best character, and making friends with a girl whose friendship I cherish to this day. Dating a frat boy who abused me while I crushed on a girl so beautiful she terrified me, then a boy who would later become my first real love.

I had no idea what a subprime lender was. Or that in April the largest one in the US, New Century Financial Corporation, would file for bankruptcy, starting an economic slide that would change the course of hundreds of millions of lives across the world. Including mine.

In September of 2008, the US government announced it would seize control of Fannie Mae and Freddie Mac. I was 20 now, a junior fully emeshed in the competitive creative writing program that had brought me to UNC in the first place. I’d put away fantasy, trading it for lit fic. I’d also put away partying, trading it for studying. Shakespeare, Milton, Chekhov, Faulkner, Woolf, Hemingway, Joyce, Hurston, Marquez. Quotes about shitty first drafts and butts in seats and killing darlings written in caligrophy pens wallpapered my dorm room. My sights were set on the Iowa Writers’ Workshop at the University of Iowa. The most prestigious MFA in the country. That spring, at UNC, I would be eligible to apply for advanced fiction writing. Getting in was one leap away from my year-long senior honors thesis and the recommendations and portfolio I needed for Iowa.

Dreams have only one owner at a time. That’s why dreamers are lonely.

William Faulkner

The financial crisis made its way to campus in the way of chatter about sudent loans. Freddie Mae and Fannie Mac held not only mortgages, but student loans.

I was one of the fortunate few who didn’t have student loans. Scholarships had paid for my first year at UNC, a trust fund left to me by my deceased paternal grandmother was paying for the rest, with money left for grad school.

A trust fund invested in the stock market.

A compass lying on top of stock reports.
Image from Unsplash.

A week after Fannie Mae and Freddie Mac, Lehman Brothers went bankrupt. The next day, AIG had to be bailed out. The snowball picked up speed, barreling down the mountain. Many had already been hurt. Many more were soon to be in the path. Me included. A $700 billion bailout was announced. Using taxpayer money. Protests started. The snowball did not stop. It didn’t even slow. If anything, it hastened.

In October of 2008, the Dow Jones suffered its worst week of losses in history, dropping more than 20%. More bailouts were announced. Sometime during this period my dad, an environmental engineer, lost his job. He’d lost jobs before, but not like this. Not in this economy. No one could remember an economy like this.

He called me. My college tuition money was nearly gone. Wiped out seemingly overnight. His job was gone, too. We would have to take out loans, but in this economy who was giving an unemployed man and a college student loans? There was the house as collateral, a house that he’d do everything to keep, but I would have to get a job to pay back the loans as soon as I could. Did I know what I was going to do?

“It was her habit to build up laughter out of inadequate materials.”

Ernest Hemingway, The Grapes of Wrath

For the first time in my college life, I went to my advisor. Before, I hadn’t needed her. I thought I had it all figured out. Writing minor, get to the honors program, finish my thesis portfolio, get the recommendations for Iowa, get into Iowa, go to Iowa, get my MFA, write the Next Great American Novel. I’d been so close I could smell the ink on my fingers from the hand printing presses my professors at UNC talked about learning to use at Iowa.

My advisor told me with AP credits from high school, how highly I’d tested on some of my entry testing, combined with the heavy course load I’d undertaken, I had enough credits to graduate a semester early. She also told me that meant giving up the honors program, because I couldn’t apply until I was a senior, and the program was a year long.

It meant giving up Iowa, too.

Burned and torn book pages on rubble.
Image sourced via Unsplash.

I told her that was fine and asked for early graduation paperwork. By that point, my tuition and housing as an out of state student was costing about $40,000 a year, so that would save us $20,000.

In November of 2008, America elected its first Black President – Barack Obama. UNC errupted into a fit of joy. Students rushed out of their dorms to flood Franklin Street like we’d just won the National Championship. I laughed and screamed and danced. Inside, though, something started to disintegrate. I would miss it here.

There are so many moments in our lives where we split. Forks in the road where we make decisions that will shape who we become. Often, we have no idea we’re making the decisions until it’s too late. We’re simply operating on auto pilot, trying to survive in this mad world. Then, we’re left grieving this version of us who never had a chance to live. I grieve a child who wasn’t abused. A girl who wasn’t raped. A student who got to chase her dreams and ambition without fear. The Next Great American Novelist. A Real Lawyer. A wife. A mother. So many could have been’s but never were’s.

In December of 2008, Bush bailed out the Big Three automakers to the tune of $17 billion while I turned in my final application to my writing professor for Advanced Fiction and told her I wouldn’t be able to pursue the honors program so if my seat was better given to someone who could, I understood. I’d fought tooth and nail for every seat at every stage in that program. Now, it was time to surrender.

She stared at me with steely fury and told me I was making a mistake. I was meant for the honors program. For Iowa. Loans could be paid back. My father’s financial troubles were not mine. I was acting out of fear.

I shook my head and told her she didn’t understand. I didn’t elaborate. Much of my life had been spent in poverty. Debt terrified me, yes. But for good reason. And though I had no real inclination of what I was heading into out there in the real world, I operated on what I knew, and what I knew was the world had never really been particularly kind to me and was unlikely to change its perspective.

She took my portfolio. And my surrender. I got the seat in Advanced Fiction writing to complete my coursework for the minor at the very least.

A woman must have money and a room of her own if she is to write fiction.

Virginia Woolf, A Room of One’s Own

In February of 2009, I celebrated my 21st birthday by getting far too drunk and ruining my relationship with my Bosnian boyfriend. My last escape plan had, wildly, been Bosnia. Obama signed a $787 billion stimulus pacakge into law. It was loved and hated for every reason.

In the summer of 2009, I entered my final semester at UNC with less hope than any senior ought to have. I had no plan, no ambition, no idea of what came next. I’d been working toward a singular dream since I was 4. Now, it was dead, and I was soon to be flung into the worst economy and job market the world had seen in a century with a somewhat useless degree and no direction.

While my friends studied for MCATs and GREs and LSATs, and others started courting past internships and alumni for employment prospects, and my writing peers entered the honors program and started on their theses, I got lost. On the quad, I had nothing to say to chatter about Iowa applications and GRE studies and The State of the US Job Market.

They were trying to thrive. I had, as always, chosen to simply survive.

During my final semester at UNC, I had my first psychotic break after going 5 days with little to no sleep. My psychologist wanted to have me committed, but my dad flew to North Carolina to take care of me. I was diagnosed as bipolar by a psychiatrist who spent less than 12 minutes with me based entirely on my family history and information that I had not been sleeping, despite the foot stamping of my psychologist who insisted it was my C-PTSD and chronic nightmares combined with my recent relapse with flashbacks inducing this episode.

He was right. The depakote the psychiatrist put me on caused me to gain 50 pounds in a matter of months and did absolutely nothing to help. I never lost that weight. A nearly two decade long struggle with medication and diagnoses began. Depression set in heavier.

A pill bottle with pills spilling out on an orange background.
Image sourced via Unsplash.

In December of 2009, I graduated as expected. A semester early. I came out with only $8,000 in student loans and a dead dream. My dad had a new job he loved at an energy company working to clean up and close down its coal plants safely and efficiently. As an environmental engineer from coal country, it was perfect.

For me, there was a $9 an hour clerk job with no benefits at a law firm and the bottom of a rum bottle.

It would be six years before I read or wrote again.

Hold fast to dreams, for if dreams die, life is a broken-winged bird, that cannot fly.

Langston Hughes, Dreams

I like to say it was the lit fic that did that. It makes it easier, I guess, to blame the writing for the lack of writing. But recently, an opportunity to write a short for a literary magazine was brought to my attention, causing me to shake off the spiderwebs of that dead dream, and as I wrote, I realized it wasn’t all the lit fic. With each word that brought me back to that campus and those dreams, with every keystroke that reminded me of the girl who yearned for the smell of ink on her fingers, who danced in the sreets when Obama broke a barrier, who fought until surrender, I grieved.

Maybe it wasn’t the lit fic.

Maybe it was hope crashing.

Not the Darling: Corporate America Edition

Author’s Note: I am actually out of #NottheDarling posts so if you’re interested in submitting to this series (which is not usually about Corporate America but is usually about querying) please read more about it here.

As writers, sometimes we have to channel our pain into weird places, and mine found this vehicle this time. I guess there might also be a reason I write fairytale retellings about women with job issues… I hope no one minds me grabbing the title for a brief moment. I won’t do it again, I Promise.

Trigger/Content Warnings: Job rejection, feelings of mediocrity, discussion of RSD, minor body horror.

Disclaimer: The views expressed in this piece are my own and not those of my current or past employers.


Mediocrity: The Millennial Manifest Destiny

By: Aimee Davis

Mediocre: me-di-o-cre – adjective – of only moderate quality; not very good.

I don’t usually talk about my IRL day job On Main™ for the same reason a lot of people don’t talk about querying On Main. The general wisdom is it makes you look bad to the very people you’re trying to court, be that employers or agents. Never mind that in America you have Section 7 rights*.

*For those who don’t know, Section 7 rights are those guaranteed to you by the National Labor Relations Act (whether you’re in a union or not) to engage in “concerted activity” which is activity with two or more employees to improve hours, pay, working conditions, or other aspects of your job. Section 7 rights extend to an employee’s posts on social media in certain instances. (This is not legal advice, I am not a lawyer).

But in this the age of technology where everyone decides whether to take a gamble on you based on your profile, it’s not worth the risk. Employers can swipe right or left on someone with the flick of a button. I know, I’m in HR. And legal. And compliance. Yet pain has called, and I am a writer, so here I am. And I suppose this is less a critique of my employer and more a critique of myself. Or perhaps the system in which we exist. A system not made for me.

I know labor law, and employee benefits law, and employment law. I can recite sections of ERISA and the Tax Code, of HIPAA and Title VII. My acronym vocabulary is strong. I can redesign benefit plans as simple as single employer and as complicated as Taft-Hartley. Hell, I know what a Taft-Harley Plan is. When I’m done designing them, I can explain them back in meaningful ways to employees of every level to help them make decisions that will improve their lives within the system I built. I’ve been in board rooms and at union negotiating tables. In judge’s chambers and on manufacturing floors. I’ve interviewed prisoners and CEOs. I’ve stared down men running Fortune 500 companies and told them to pay up. I’ve argued with teams of lawyers from multi-billion dollar health insurance companies and walked away with contracts more favorable for my company. I’ve soothed crying administrative assistants and disciplined executives. I’ve coached C-Suites and junior paralegals. I’ve moved up and down the chain of command, working with empathy and honesty. Transparency and ethics. Using the law as my principles, my business acumen as my guide, I’ve fought for employees and companies at every stage of my career. Every company I’ve interacted with has walked away safer, stronger, with some kind of better result for themselves and their employees. Because I toe the hardest line: employee and management.

Yet for myself there’s nothing more. I can’t get any further than where I am. For me, there is no advocate and never has been. Besides myself, I suppose. But I am a poor advocate for myself. I’m told it’s a “trauma thing.” Or maybe I simply don’t deserve the things I think I do. Maybe I aim too high.

For years, I’ve struggled against every machine, racking up rejections like tallies on the wall of life’s life sentence. In dating, swipe left on relationship after relationship. Not pretty enough. Not skinny enough. Not charming enough. Not sexy enough. Not funny enough. Not athletic enough. Not outgoing enough. Not adventurous enough. Doesn’t drink. Doesn’t backpack. Doesn’t go to the gym 4 times a week. Doesn’t want to have kids. Too weird. Too quiet. Too shy. Too blunt. Too strange. Too nerdy. Too opinionated. In querying, swipe left on failed book after failed book. Weak protagonists. Not active enough. Not interesting enough. Not different enough. Too different. Not enough oomf. Not enough voice. Too wordy. Too prosey. Not enough motivation. Too dark. Hell, even trying to find a house was an app where you swipe left or right and everything is not enough. Not enough budget. Not enough time. Not enough cash.

Not sure why I expected my professional life to be any different. Not enough education. Not enough experience. Too assertive. Too aggressive. Too blunt. Too honest. Too pushy. Too involved. Not trendy enough. Too much generalized experienced, not enough niche. Not the right certification. No masters degree. No law degree. The wrong kind of undergraduate education. The wrong kind of experience.

Not enough, not enough, not enough. Too much, too much, too much.

Corporate America. Where if you dream it you can be it. Except if you’re anything other than a straight, white, cis, able-bodied dude with a great education and a great background who knows another guy just like him to get in the back door.

For the rest of us? Corporate America. Where you’re doomed to throw yourself against the walls of being too much or wanting too much while being eight forms of not enough until you accept your own destiny. Mediocrity. The manifest destiny of Millennials everywhere.

Or maybe it’s not Millennials. Maybe it’s just me. Maybe I’m Icarus flying too close to the sun with my wax wings, thinking I’m worth more than I am. Maybe I should listen to all the people who have come before me telling me to sit down and shut up and take notes. Literally, in most cases. Take notes. I’m good at it. Write reports. I’m good at it. Push paper. I’m good at it. Your decisions? Your thoughts? Your strategies? Your redesigns? Restructures? Planning? Assertiveness? Leadership? You can have that back. High priced secretary, sit. Good girl.

Girl. The times I’ve heard that. It burns under my skin like a thousand ants on the march. I want to rip my flesh open and bleed onto the pavement. Red. My blood is red like yours. I can do what you can do. But that would be emotional. And I’d be punished for being an emotional girl in the workplace. I can’t cry out of frustration. I can’t show weakness. But they can yell and scream and slam their fists and stomp their feet and make decisions on the dime out of emotion and call it gut. They can call it anything they want. Passion. Anger. Rage. Hunger. Ambition. Vision. It’s all fantastic.

In a man.

When I want? It’s manipulative. Condescending. Shady. Sneaky. Demanding. Reaching too far. Overstepping.

I’ve worked sixty, seventy, eighty hour weeks for so many years I don’t know what the free time of a forty hour week would look like. I see politicians rallying for a 32 hour week and I laugh. Part time work for the same pay. Adorable. I haven’t been on a vacation in seven? eight? nine? years. That time I went to Germany to chase a boy after another one broke my heart. I think I was in my mid twenties. I’m 35 now. I never had kids because I was always trying to get ahead, in publishing, in my career, in something. I never got married because I wanted to be something more than some man’s wife.

So I fought with teeth and claws and every bit of intelligence I was gifted. I completed every task assigned to me, learned everything asked. I took on the jobs no one else wanted, and asked for more. “A lawyer without a law degree.” They joked. Instincts. Acumen. Ambition. Drive. Desire. Intelligence. Things in a man that would have gotten me to the top by now. Things in me that fester and rot until I can barely stand to live in my own skin.

Or maybe it’s not because I’m a woman. Maybe it’s because I’m me. Because I’m neurodiverse. Because I say the wrong thing at the wrong time never mind how careful I always try to be. Because I don’t pander or play politics. Because I don’t actually have ulterior motives, despite what might be said. I lay them all right out on the table. For others? I want to help. To motivate. To encourage. To push to their full potential. To teach. To train. For companies? To fix. To make better. To keep safe. To scale. To grow. To make more money. To employ more people. To be bigger. Faster. For myself? I want to matter. To be seen and heard. To have a voice. A seat at the table. I want to climb the ladder all the way to the top. To be more than what I am.

That’s cute. Please take notes. I’m busy.

So here I am. Bleeding my red blood onto the carpet, while ants crawl from beneath my skin. Curled in a ball. Weeping where they can’t see. Always weeping.

I will never be more than mediocre. And I don’t know how to accept it.

Broken Girl Cured by Love: On Tropes and the Lies They Tell

Author’s Note: For the past few days I’ve been in Tennessee at a workshop hosted by Madcap Retreats about writing cross culturally. It was an incredible, eye-opening experience, and I’m only sharing a snippet of what I learned there, so I highly recommend you participate in one of their workshops if you ever get the chance to. 


There are ways to create narratives of hope that don’t feel like a lie.

~ Leigh Bardugo

To fully understand this post, you’ll need to watch this video (there’s also a transcript, but if you can watch I recommend doing that).

The idea of a single story is (obviously), not mine, but over the weekend, it was one of the concepts that hit nearest my heart. There are single stories for every marginalized group of people. In the video, you’ll hear some of them. During my workshop, I heard others. I’m not going to talk about the stories of others, because you should listen to their voices for that. What I am going to talk about is what the single story for me has been, why it’s hurtful, and why that matters to your writing (and mine).

For those who might not follow this blog regularly, I’ll start by telling you that I’m a twenty-nine year old, cisgender, female. I was raised outside of Philadelphia. I’m privileged. Most people would not think of me as part of a marginalized group. Mostly, I don’t think of myself that way.

I do, however, suffer from complex post traumatic stress disorder, generalized anxiety disorder, OCD, touch aversion, and agoraphobia. I have an invisible marginalization which I can usually hide, but it affects every aspect of my life.

Complex Post Traumatic Stress Disorder is defined as a condition that results from chronic or long-term exposure to emotional or physical trauma over which a victim has little or no control and from which there is little or no hope of escape. (Source). PTSD and CPTSD are slightly different in that PTSD can result from single events, or short-term exposure to extreme stress or trauma whereas CPTSD is generally associated with long-term trauma. That said, most people don’t know what CPTSD is, so I typically tell people I have PTSD.

When I do “out” myself, the most typical question that follows is, “What war?”

This is the single story in action. (If you haven’t watched the Chimamanda Adichie video or read the transcript yet, go ahead and do it now. Here’s another link. Seriously, it’s that important.)

PTSD is most often associated with veterans. That’s the single story literature, television, and film have created for us. And because of that single story, my experience somehow seems less valid. When I don’t play into people’s perceptions or expectations, my experience is diminished. Surely, I must be faking it. Surely, I must be overly sensitive. Surely, nothing can be as traumatizing as war. Surely, my experience doesn’t matter.

For years, I resisted fighting against this narrative because it felt like fighting against veterans who have PTSD. The single story of PTSD made me feel like I had no right to voice my own experience because by telling my story I was challenging their story. This is not, however, the case. I’m not challenging the narrative at all. There are veterans who have PTSD. But there are people who are not veterans who have PTSD as well, and their stories deserve to be told too. We can tell multiple stories without threatening others. We, as people, deserve more than a single story. We deserve more than two or three or ten stories. Every story gives us a fuller life experience.

The above example is contemporary, but the single story concept extends beyond as well. It permeates every facet of literature. In fantasy, especially young adult fantasy, there is another single story narrative pertinent to PTSD that’s repeated over and over, and it is this: Broken Girl meets The One and is fixed through the curative power of Love.

This narrative hurts me. It is a dangerous lie.

Growing up, I often escaped to fantasy worlds to help me cope with what was unraveling around me. I still do. But especially as a young reader, I internalized much of what I read. And this narrative, the “Broken Girl Cured by Love” narrative, buried itself deep. So deep I didn’t realize how much it had shaped my behavior until this weekend, and to be honest, I’m still trying to untangle a lot of it.

What I have realized, however, is that I truly believed I could be cured by love. In fact, up until recently, one of my primary criterion for a partner was that I could spend a night with them and not suffer nightmares. I was sure that somewhere out there someone existed who would save me from my nightmares. This internalized narrative that I picked up from fantasy books is harmful to me in real, tangible ways.

One of the ways my PTSD manifests itself is through touch aversion. When I’m touched (especially by a stranger), I experience physical symptoms. My heart rate rises, my breathing shallows, I become dizzy, I grind my teeth, I sweat, my pulse hammers in my ears so I can’t hear properly. Often, I freeze, completely debilitated by terror. Sometimes, I lash out, verbally or physically. This is not a comfortable feeling.

Yet, because of the Broken Girl Cured by Love narrative, I’ve put myself in this position time and time again. I’ve retraumatized myself  while I search for The One To Defeat The Nightmares. I’ve spent nights with people I was revolted by hoping this time I’ll find The One. This time, the Magical Cure Love will save me from my PTSD. I’ve numbed myself with drugs and alcohol while I try to find The One Who Wields the Cure Love, hoping that when I do I’ll be able to be touched without the need for chemical alteration.

It has not and will not ever happen. Love is not a cure for PTSD. That doesn’t mean there isn’t hope; it simply means this narrative is not the “hope” people like me need. The lie of this single story has damaged me, and I don’t think it takes much extrapolation to understand it could damage other people, or to see the damage done could be more extreme than it has been in my case.

One of the main takeaways from my weekend workshop is that words are powerful, more powerful than we might realize. As writers, we have a responsibility to our readers and that is to tell the Truth as best we can. It’s not easy, and it’s not always pretty, but it is our duty to try, to put in the work, and to hopefully do no harm.

There is no such thing as a single story of the human experience, and it’s far past time we stopped trying to tell one. As Daniel José Older told me over the weekend, “It doesn’t have to be sexy.” I suppose the Truth hardly ever is.

gloves-1601400_1920

International Women’s Day and the Gender Gap in Literature

Author’s Note: Today is International Women’s Day and here in the States it’s also A Day Without A Woman. That means today I’ve decided to both wear red and tackle a subject I’ve been thinking about a lot recently—gender inequality in literature. As a side note, I’ve been thinking about inequality in literature in all forms recently, but this post will focus only on gender. That said, if you were to break the data I’m about to use down to non-gender minorities, things become even more bleak in terms of diversity (or lack thereof). Okay, here we go.


Gender Inequality in Literary Fiction

The Pulitzer Prize is arguably the highest honor a writer can achieve in their lifetime. The Pulitzer is the award we all salivate over. It’s the award that when you hear someone has won it, makes you sit a little straighter and take notice. It’s the biggest of big deals in the writing world.

Want to know something interesting about the Pulitzer?

Between 2000 and 2014, not a single book written by a woman about women was awarded the Pulitzer. Zero. In the same time period, books written by a man about men were awarded 8 Pulitzers. EIGHT. More than half for those of you keeping track. Three more were awarded to women authors who wrote about men. The other four were awarded to women who wrote about both women and men and the last described as “unsure.” You can see the data here.

In a world where women read more fiction than men, and women are writing bestselling novels with the same regularity as men (15 of the 2016 New York Times bestselling fiction authors were men, 13 were women), there appears to be a problem. Now, let me go ahead and nip this argument in the bud before it even begins.

If you’re sitting there saying, “But Aimee, it’s not about gender, it’s about the best book winning,” then I would challenge you to take a deep breath and contemplate the data. Now, do I think we should have some system where we say, “Okay, a woman won this year, next year it will be a man.”? No. Absolutely the best book should win, and I understand literature is subjective. Boy, do I understand that. However, I think it’s more than a coincidence that in 15 years not a single book written by a woman about women was considered “the best book.” I’m just not buying it. Things would be different if there were simply more men publishing (that would be and in some opinions, is, a separate problem), but that isn’t what’s going on here.

The Pulitzer problem isn’t even precisely a female author problem. It’s a female story problem. Six Pulitzers in the time period described above were, in fact, awarded to women. But NONE of the Pulitzer prize winning stories were stories about women.

What is it about our stories that seems less worthy of a prize?

My first thought was, “Okay, I know literary fiction is this way. I have always known it. It’s shocking to see it all laid out like that, but my genre is dominated by women and women’s stories.” Right about there is when I fell down the rabbit hole and started to do some research of my own.

Gender Inequality in Fantasy

I’m going to bring the powerhouses of my genre in now, because those are the stories I’m most familiar with. When I type “epic fantasy” into Goodreads, I get the following list of authors:

  1. J.R.R. Tolkien
  2. George R.R. Martin
  3. Diana Gabaldon
  4. Patrick Rothfuss
  5. Stephen King
  6. Brandon Sanderson
  7. Robert Jordan
  8. Phillip Pullman
  9. Christopher Paolini
  10. Susanna Clarke

Are we seeing some issues with this list? Besides the fact that it’s 80% male I’ll also point out it’s 90% white.

As Exhibit B, I’d like to present to you the list as it looks when I search “Popular Young Adult Fantasy” (“young adult epic fantasy” yields no results, interesting all by itself).

  1. J.K. Rowling
  2. Sarah J. Maas
  3. Cassandra Clare
  4. Kristin Cashore
  5. Leigh Bardugo
  6. Laini Taylor
  7. Stephanie Meyer
  8. Christopher Paolini
  9. Rick Riordan
  10. Suzanne Collins

This list is a complete reversal in terms of gender (80% female)  but even more dismal in terms of diversity at 100% white (seriously, we need to be better, YA fantasy). This brings to light two points I have regarding the stories we tell and who writes them.

Women write YA stories and those stories aren’t seen as “serious”

For those of you familiar with fantasy, take a moment to breathe these lists in. Think about how you view the authors on each and the books they write. Because before I even compiled these lists, I made similar ones in my head. When I thought: “Who writes fantasy that would be considered literature” I came up with:

  1. Tolkien
  2. Martin
  3. Jordan
  4. Pullman
  5. C.S. Lewis
  6. Neil Gaiman

When I thought: “Who writes popular fantasy” I came up with:

  1. Rowling
  2. Maas
  3. Clare
  4. Meyer
  5. Bardugo
  6. Victoria Aveyard

My OWN list was biased. Why is that? If Pullman and Paolini and C.S. Lewis can write for a young adult audience or even children and be considered “epic” and “serious” why can’t Taylor or Bardugo or Maas?

Romance is a crucial element in women’s writing and that’s not “serious”

Many of the authors on the second list have romance at the center of their narratives. How you feel about the way they handle romance is not the point of discussion here (they all handle it very differently). Most of these authors have a fandom that “ships” these romances (or even fanfiction offshoots of these relationships). These are the authors who hold the keys to the OTP (One True Pairing). Whether it’s Maas’ Rhys/Feyre, Clare’s Clary/Jace, Bardugo’s Kaz/Inej or Meyer’s “Team Jacob v. Team Edward” you have true “fangirling” happening with these authors.

If you’re picturing adoring, teenage fans screaming over Justin Bieber, you’re not alone. It just doesn’t seem serious, right?

But here’s my question—why not? Romance is serious. Sex is serious. Marriage is serious. Childbearing is serious. And all of these things start with a crush. Humanity starts with a crush.

Furthermore, romance is a part of the stories of the authors on the first list as well. It’s a different kind of romance in most cases, but it’s still there. Rand al’Thor in Robert Jordan’s Wheel of Time series has three wives. Tolkien’s Arawen and Aragorn have a romance to conquer kingdoms and even get a happily ever after. Phillip Pullman’s Lyra and Will were the first fictional characters to make my heart skip a beat. So I ask again, why is a man’s depiction of romance more valuable than a woman’s?

Happy International Women’s Day everyone! Go read a female author!

P.s. If you want a suggestion for your reading that is by a female, about a female, and by a woman of color, I highly recommend picking up a copy of The Hate U Give by Angie Thomas. It deserves every bit of recognition and hype it’s receiving and then some.

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This one just keeps being appropriate.