Tag: am querying

Not the Darling: When Your Brain Works Against You

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Note from Aimee: The following post has found a special place in my heart (as they all have, really) because it discusses some topics that are only now finding their way to the surface. The one that resonates most heavily with me being Rejection Sensitive Dysphoria (“RSD”). For those unaware what RSD it is, it’s an extreme emotional sensitivity and pain triggered by rejection and criticism (perceived or actual). It is commonly linked with neurodiversity. On a personal note, I had no idea what RSD was before Pitch Wars, until a fellow mentee mentioned I might be suffering from it. I vehemently denied this notion, but mentioned it to my mentor when it wouldn’t stop nagging at me, who sent me some information on it and said she thought my fellow mentee was correct. Despite being diagnosed with C-PTSD my entire adult life, and diagnosed with ADHD semi-recently, no one mentioned this. Not my therapists, not my psychiatrist. It took a fellow neurodiverse person to tell me what it even was. Because there are so many neurodiverse writers putting themselves through this process that essentially demands a near-constant onslaught of rejection, I think bringing this out of the shadows is important. I’m glad this next author was brave enough to write so candidly about it. If you’re looking for information on RSD, here’s an article to start. If ever querying gets too dark, know there’s help. If you live in the US, you can call or text 988 to reach the Suicide & Crisis Lifeline.

Content and Trigger Warnings: Mention of suicidal ideation; struggles with mental health; discussion of effects of rejection sensitive dysphoria; dark thoughts; query statistics.

When Your Brain Works Against You

By: Anonymous

“It is true that I am endowed with an absurd sensitiveness, what scratches others tears me to pieces.”

― Gustave Flaubert

Reader, I am struggling.

Since August 2021, I’ve been querying the book of my heart. The book I’m most proud of. The book I want more than anything to be my debut. And nothing I do seems to be working. I am really starting to think that I am never going to be what gatekeepers want. And that’s ok. Sort of.

Let’s talk about it.

92 queries. 61 form rejections. Too many CNRs to count. 13 fulls, 6 partials, and so, so much waiting. I am still waiting. Only I’m not convinced a response is ever coming.

Like many others, I’ve done everything you’re “supposed” to. I leveled up my craft. I did Pitch Wars. I read through the entire QueryShark archives. At risk of sounding arrogant, I know my shit. I’m an excellent writer with great stories to tell. 

It doesn’t matter.

Right now, it feels like book Twitter is populated entirely by people getting agented or getting book deals. Everyone except me. And I am so, so tired of waiting. I’m tired of begging for the things that I want. When will it be my turn? When will all of my efforts and suffering be enough to deserve it? 

Here, look. I’m following all of your rules. I’ve laid down my marginalizations at your feet in the prettiest package I can muster. I’m doing everything I’m supposed to. Love me. 

I need to make sense of this, but there’s no sense to be found. I go days veering my thoughts frantically away from the open wound inside my skull that is querying. Other times, I go down the rabbit hole. I search for blog post after blog post, all the while seeking an answer to the same question: why is this so much harder for me than it seems to be for everyone else? 

I struggle to drum up excitement for full requests, because they no longer seem like signs I am onto something. They end in form rejections, or even worse, ghosting, more often than not.

I struggle to engage in reading in my genre. Querying in 2022’s pandemic environment has sapped all the enjoyment out of a lifelong love of reading. While I used to gobble up book after book, enjoying each for its own merit while fantasizing about someday seeing my own book on the shelves, my time in the querying trenches with the book of my heart rendered each fantasy book I picked up proof of my own failure and inadequacy. Proof of someone else’s “yes” while all I’ve gotten is an unending string of “no. ”

I’ve become a shell of my once joyful reader-writer self.

The way that my brain works makes querying particularly difficult and traumatizing, and it wasn’t until I started to suspect I might be autistic that I fully began to understand why I seemed to struggle with this more than other people. My mind craves order and structure, clear expectations aligned to clear outcomes. If I’ve done something wrong, I need to know why and how to fix it going forward. I need clear stepping stones that outline the path to improvement. Without all of this, I’m left feeling lost, unsettled, and confused at best, and angry, depressed, and hopeless at worst. 

So much of my life has (unknowingly) revolved around trying to make sense of arbitrary social norms that everyone else seems to understand and easily endure, and querying is all of that and more boiled down into a particularly painful microcosm that stands between me and my dreams. No wonder I’ve been so miserable, for so long.

Querying offers no order, no structure. No clear stepping stones. Querying demands that you continuously bang your head against what feels like a concrete wall, while hoping that an industry gatekeeper on the other side eventually decides they like the particular rhythm of your skull on the stone and extends a hand to guide you through. Some believe that voicing (totally justified!) complaints of the system makes you “negative” or “whiny” and means you “need to grow a thicker skin.” It’s just the price you have to pay. If you can’t handle it, don’t even try, and if you do try, well, just don’t let us hear you cry too loudly. It’s not a good look.

And Twitter is chock fucking full of well-meaning but (for me at least) ultimately useless advice surrounding querying. They’ll say, write through the wait! Write something else! Reader, I wrote TWO WHOLE something elses while querying!! And I was still waiting!! Still as head over heels with my querying MS as the day I sent it out! Writing something else didn’t distract me at all or help me move on from the project. It only made me more and more aware of the fact that this timeline, this process would not be kind to my brain. 

Querying is the worst thing I’ve done for my mental health in over a decade. It has very nearly broken me. I still can’t fully articulate how difficult it is to endure. All I will say is this: the first time I seriously contemplated taking my own life, I was 14. The second time? This past year, while watching my dreams slip through my fingers, watching my number of red rejection smiley faces on QueryTracker grow. 

It hurts to be told, however indirectly, that your best wasn’t good enough. Who you are isn’t interesting or marketable enough. It hurts so much that sometimes I am jealous of my recently-dead father, because he, at least, no longer has to endure any sort of pain. 

I really was not expecting that simply trying to follow my dreams would make me hate myself this much. 

My rejection sensitivity means that each rejection, no matter how couched in well-meaning platitudes like “I’ll be cheering from the sidelines!” or “It’s a subjective industry!” feels like a slap in the face. Even worse is the lack of actionable feedback. How am I meant to move forward and move on without knowing what I did wrong? My brain NEEDS that answer. 

Why, exactly, would I put myself through that misery again?

It truly feels like a twisted game of Russian roulette. Only the gun is loaded with more live rounds than blanks. If you knew shooting your shot was more likely to hurt you than help you, would you even bother pulling the trigger?

Often, I hate how unfair this all is. I’m so angry I feel like I could spit acid. I see doors open for some people so easily, and yet here I am beating myself bloody against a closed door in the hopes of breaking through. I watch others from my Pitch Wars class get agents, sell books, and have those books near release while I am still sitting here waiting on query responses that feel like they will never come.

With nothing else concrete to point to, I am left to conclude that the problem is me.

I tell myself, this is my last try. If this book isn’t it, I’m done trying for traditional publishing. Since I started querying, my blood pressure spiked, I gained 20+ pounds from pure stress, and I experienced severe anxiety. I am just not made for this.

I hate what querying has turned me into. I hate how thoroughly that trying to claw my way into a place in this industry has warped and muddied my thoughts. I am a miserable, envious, bitter husk of a human. I’m so full of rage and jealousy and despair that it feels like I will simply explode. 

I’m not particularly interested in the business aspect of self publishing, but I tell myself I’ll learn because it can’t possibly feel worse than querying. When I contemplate a future of querying book after book over the course of years just to try and finally hit that lightning strike of luck and timing, I feel nothing but dread. I know I won’t survive this process again. I am barely surviving the current round. 

I hear stories of people who queried for 5, 10, 15, 20 years before getting an agent, stories that were meant to be inspiring. If that’s you, I admire your perseverance. But I personally fear that I cannot pour that much energy into a system that actively harms me. I worry that I don’t have it in me to endure that much suffering just for a shot at my dream. If trying to do this–the only thing I’ve ever really wanted or cared about–hurts this much and makes me this miserable, I don’t think I can try anymore. And I worry that I am not resilient enough to frequently participate in a system that very nearly killed me, and could, at any time in the future, before I manage to make any progress.

If given the choice between protecting my peace and repeatedly suffering the querying process that stands between my dreams, I don’t blame myself for dreaming smaller. I’m happy to content myself with less if the alternative is literally being suicidal.

But who knows if I can convince myself to stay away? One day, I’m done with it all. No more querying. The next, I come crawling back. I don’t know what to do, only that I can’t do this. 

I don’t have any answers. I don’t have any advice. I can see no way through that is within my control. My hope with this is that maybe I can show one person who is suffering like me that they’re not alone in that pain.

Obviously I understand that the industry is on fire. Everyone is overwhelmed, overworked, and underpaid. I get it. So much of what makes querying downright unbearable for me and other neurodivergent writers is simply a business reality that is not likely to change anytime soon. 

But I wonder at what point we ask ourselves: When does perseverance and resilience turn into downright insanity? How much are we willing to endure? How much is actually ethical to ask an aspiring writer to endure? And at what point does all of this suffering for the off chance of making your dreams come true stop being worth it?

Graphic on a black background with a multi-colored brain at the center and dotted lines linking out. Text of graphic reads: RSD is common in neurodivergence with different arms that state: Acute memory of past rejection; difficulty reading tone; tired of being underestimated; intense sensory and emotional reactions; PTSD; being different means being frequently rejected.
Photo added by Aimee not author. Graphic from @NeuroClastic (along with a great article and more graphics which can be found here).

Not the Darling: Confronting the Publishing Paradox

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Note from Aimee: First, I hope you love this post as much as I did. I read it in line waiting to get TSA Pre-check and couldn’t wait to get home to email Amara back to say how much I loved it so had to email twice, once with gibberish and once with a posting schedule. Second, if you are someone who likes query stats, Amara has kindly provided a Twitter thread I’ve linked to at the end for those (which you can also avoid by not clicking if you don’t want to do query stats). Now, without further ado, the post!

Confronting the Publishing Paradox

By: Amara Cavahlo (Follow Amara @nerdnothuman on Twitter)

There’s this maddening paradox at the core of the traditional publishing process: writers must invest so much time and effort into their work—work which will always have a place in society—and yet writers are rarely invested into in return.

That paradox manifests itself in many ways:

(i)

As a writer, you can spend thousands of hours on perfecting your craft, and yet never become a “professional” within the publishing industry—or, at the very least, one that can make a living off their work.

(ii)

Publishers claim to be making record profits, and yet they can’t pay the employees making them those profits a livable wage.

(iii)

On a more personal note, stories have always been everything to me: movies an addiction; books an obsession; the act of filling a page with words a necessity for my psychological wellbeing. I knew I wanted to be a full-time fiction writer as a small child and became invested in the idea of becoming an editor as a teenager. But when it came time to enroll in university, choosing between studying editing and creative writing or something else felt like choosing between uncertainty or stability. I worried about affording my basic needs if I chose publishing, because I’d already seen what it could do to its own.

I don’t deal well with uncertainty. So I chose not to study writing.

(iv)

During the three-year undergraduate design degree I did choose to do, I wrote three books outside of class—the word count equivalent to three PhD dissertations. While I can proudly present a diploma for my university work and get a job for it, all I’ll likely receive for my writing efforts is the assumption that I can’t be a very good writer, or else I’d have gotten those books published.

(etc.)

Don’t get me wrong; I’m not claiming that those who choose creative professions are always going to struggle (or that choosing something else guarantees success), or that my books are masterpieces that deserve to be published, or that writing a novel is perfectly equivalent to writing a PhD dissertation. None of those things are true. The point is that it’s incredibly disheartening to know that in some areas of my life, what I receive will be proportional to how much I invest, whilst in others—the ones I happen to care about most—I might as well be tossing keys into the ocean out of the hope that they’ll unlock Atlantis.

Accepting the paradox

Image of a green checkmark.
Image added by Aimee, not author. Image by Krzysztof Jaracz from Pixabay

There was a time when I noticed this paradox and felt so frustrated by it that I refused to accept it. Instead, I hoped I’d be the exception—the lucky one. That hope was enough to keep me going for a while: I would think, “My work will get published eventually, and that will make everything worth it. I’ll be content and happy then.”

Over time, though, I started seeing how dangerous that mindset and the writing advice that advocates for it can be. Common advice like “It only takes one yes,” “Just write the next book,” and “You’ll achieve success eventually” sound great on the surface, because they claim that anyone can succeed if only they work hard enough.

I haven’t been querying for that long—only since 2021—so I don’t claim to be a veteran of the process. But even within the short time I’ve been querying, this querying advice hasn’t had quite the positive effect it’s meant to have on me, and I’ve watched how it affects my friends. Now when the rejections keep rolling in, when your every project is unsuccessful, that advice starts sounding like an accusation: “Everyone is good enough to get that one yes, and write that next book, and be successful eventually… except for you.”

Then we can’t avoid the paradox anymore: we gave everything to publishing, and maybe in the past that would’ve been enough to succeed, but now there is a very real possibility that publishing will never give us anything back. In the current publishing climate, perfecting your craft is the bare minimum for getting noticed, but beyond that, luck is the main determinant of your success. Writers have basically no control over their publishing journeys, and there’s nothing we can do to change that.

At this point, it might seem like we should cut our losses and just stop. I’ve seen people stop writing completely, and I get it—if no one else will invest in our writing, why should we? If writing doesn’t spark joy for us anymore, why should we continue doing it? Sometimes choosing to stop writing is the best thing a person can do for themselves, especially if they no longer enjoy the process of writing itself. (Here’s a great article about stopping from this blog!)

But we don’t all want to stop. I don’t want to stop—the characters trapped in my head would drive me insane if I did!

So then the question for us who want to continue becomes: having accepted the rather hopeless paradox of traditional publishing, how can we keep going without hurting ourselves with it?

My proposal: punch the paradox in the face

Comic style graphic reading KAPOW in red letters against a blue and yellow background.
Image added by Aimee, not author. Image by Andrew Martin from Pixabay

Now, at the risk of sounding like an enormously inflated smart aleck, I’d like to share how I’ve so far gotten through querying mostly unscathed. It’s a bit of a strange mindset, and one that might not help you, but I share it in hopes that it will help someone (especially considering that everything I’ve said before this is high-key depressing).

Before continuing, though, I want to make one thing clear: while becoming a full-time writer is a dream of mine, writing is currently something I only do as a hobby, meaning I don’t depend on it financially. If I spent the rest of my life being unpublished, or publishing books that make very little money, materially I’d manage just fine. This is how I can (literally) afford to think like I do.

So. As I stated earlier, I made the decision to separate writing from my livelihood very consciously. I made that decision because I noticed that damn paradox and knew I didn’t have the temperament to stake my rent or my sense of success on an industry that runs on luck instead of merit. I also did it because, based on some of my experiences being a musician, I knew that in some ways choosing not to go all-in on writing would be very freeing in publishing’s current trash fire climate.

Let’s go back to that idea of ‘success’, shall we?

There’s this common view about art, which is that it has no worth if it has no financial worth. If someone likes baking, we tell them they should start a bakery. If someone likes knitting, we suggest they sell their creations on Etsy. And if someone likes writing, the assumption is that their writing isn’t very good unless it’s published.

Remember how my past self would say that getting published would make me content and happy? I wish I could go back in time and ask her: why do you need to base your entire sense of success and self-worth, of happiness, on the moving goalposts of an industry that doesn’t care about you?

Why should we wait for the publishing industry’s permission to feel successful?

Because the thing is, sure, getting published would be awesome—I would probably ascend into a celestial plane through sheer excitement if I became a bestselling author, and got fan art, and a movie deal, and… well, you get the idea. But a lot of us didn’t start writing because we wanted to get published (or become a bestseller, or get fan art, or…). We started writing because we had to. In my experience, it feels like the stories picked me to tell them, and they’re not going to leave me alone until I do.

And, while there are many aspects about the traditional publishing process that we can’t control—getting an agent being the first one we encounter—there are still lots we can control: we can choose what stories we want to write. We can choose when to write them. We can choose to take a break. We can choose to read books about craft, or ignore craft completely. We can choose who we share our books with, and what sort of feedback we’d like those people to give—as well as how much of that feedback we take to heart.

I used to worry about whether I could sell a project before I started writing it. But now, I choose to write things because I want to write them, and literally for no other reason. Book two in that weird sci-fi series I haven’t even sold the first book of yet about a girl getting mixed up with an extremist group that thinks demons are real? Epic. That five-season Voltron sequel TV series? That’s insane, I’ll never finish it, it’ll certainly never get made (like, ever), but I’m doing it anyway because it’s fun as hell.

After all, until my writing matters to the industry, why should the industry matter to me?

And here’s the best part of making my art for the sake of making it: I’m still very serious about getting my books published, but the rejections don’t sting as much because the books already fulfilled their purpose of making me happy by writing them. This isn’t to say that the rejections don’t sting, and that I don’t mind shelving projects (if you ever need a shoulder to cry on for those things, hit me up). But I love that if I ever do get an agent or make it even farther into the publishing process, each of those advancements will feel like the most fantastic bonus to an already-fulfilling journey, rather than the bare minimum.

The system of traditional publishing wants us to believe that all our dreams and chances for happiness are wrapped in its cold, money-greased machinery. It wants to control our creative output and, more distressingly for our wellbeing, to define what ‘success’ is for us. But I say screw that. We make our own.

Image of a chalkboard with graffiti style lettering reading SUCCESS - go get it -
Image added by Aimee, not author. Image by Gerd Altmann from Pixabay.

Bio: Amara Cavahlo is a UX and graphic designer who, confusingly, is an Australian citizen with an American accent who also happens to be a native Spanish speaker (and subject of feline overlords). If you wish to summon her to your location, an offering of one (1) chaotic science fiction or fantasy book will do. You can follow her on Twitter @nerdnothuman or learn more about her on her website: https://amaracavahlo.wixsite.com/author/about

Querying Stats for the last book queried: Click on this link to learn more about that book pitched as:

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✅ Get dragged into a centuries-long war instead

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Not the Darling: Confessions of a Long-Time Querier

Published on by aimeedavisauthor2 Comments

Note from Aimee: Today’s author really hit me in the gut with the story of shelving a heart book, something near and dear to my own heart because shelving my heart book was the thing that made me quit writing not once but twice, and it’s something we don’t talk about nearly enough. All of these stories are so brave, and I continue to be so humbled with everyone who shares them whether it be here or on Twitter, in comments or emails, in Discords or elsewhere. You are all leading conversations that are bringing hard topics out of the dark and into the light. A beautiful, powerful thing for your beautiful, powerful words.

Content warning: There are some (very minor) query statistics interspersed throughout this post. Emphasis on the very.

Confessions of a Long-Time Querier

By: Anonymous

When I started writing in elementary school, like many of us do, I guess I thought that becoming an author was something that just happened after you wrote a book. I was one of those “gifted kids,” constantly lauded by teachers for my incredible performance in every subject, my above-average reading and writing abilities. I see you rolling your eyes, but the point is, perfectionism and achievement were values I internalized throughout my entire childhood, and I can’t shake the feeling of failure and inadequacy even now.

Flash-forward to ten years later. I gave up on writing for a long time, because I was too focused on pursuing a career in the sciences. By the time I finished undergrad, I decided to jump back into it – 15 minutes a day to start – because literature had always been something I was passionate about. I remember talking to a fellow lab-mate, who said something along the lines of “The dream you had when you were 12 is probably your truest dream.” And for me, that was becoming an author.

I spent the next year writing a book (“New Adult Romance” – it did not have a HEA), edited it to the best of my abilities, did my research, and started sending it off to agents in 2016. I somehow ended up with two requests after a year of obstinate determination, but I’m honestly glad that first book never saw the light of day. In hindsight, it was full of telling language, the query letters (I had multiple versions) read more like synopses than an actual pitch, and every time I open the document to reread it, I cringe. On the bright side, I can certainly see my growth as a writer since then.

The next few years, I started my first professional career, and I was unwell both mentally and physically. All the while, I was working on another book, a YA Contemporary retelling of something I loved that incorporated a lot of my professional knowledge. I thought it was amazing, and for the most part, I had great beta feedback, as well as a stellar query letter. There was a big time gap between querying books one and two. I jumped into the trenches with that second book in early 2020, certain that “this was the one.” It was technically my fifth book drafted, so I fell prey to the myth of “Oh, I hear your 5th novel is usually the one that makes it!” Reader, it bombed. One request, and the feedback I received on that full made me question everything I believed about my writing. They didn’t think my craft was where it needed to be, which really hurt.

Between books two and three is where my craft really levelled up. I queried book three in 2021, a YA Contemporary with light speculative elements. Written in third past, it got a few requests, but at one point I received an R&R which suggested “this might work better in first present.” So I set off to rewrite the entire thing, and the final product sparkled. I finally found my “voice,” and ever since then, writing in first present has been my preferred POV and tense.

Here is something nobody tells you about querying. You can get close. You can have requests and significant interest from publishing professionals. You can receive encouraging emails that tell you your writing is impressive, that you have a great voice for YA, that you did an excellent job on your R&R… and then a year and a half later you can be sitting at the same desk, still unagented and unpublished.

So you think, okay, great, that one didn’t work out. I can do this again. I’m almost there. Late 2020, I quit my professional job to go back to school. During that time, I rewrote my first queried book, one I considered “the book of my heart.” I sent out a couple of queries, but it didn’t garner any interest. After getting consistent beta feedback, I decided to do another full rewrite, and this time I was confident in the final product. This is the greatest book I’ve ever written. This one will definitely make it. I put so much of myself in that book that I already suspected querying it would be tough. I started querying book 4 (Adult Contemporary) in Summer 2022. I did not expect to have zero interest. Zero. Not a single agent request after pouring time and effort and emotion into a book I thought was the most beautiful piece of art I’d ever written. Even the agents who considered my previous book told me “it wasn’t the right fit.” When I decided to shelve this book after exhausting my query list, I cried for a week straight. I couldn’t write a single word. I’m sorry if it sounds dramatic, but it really felt like my heart shattered into a thousand pieces.

So this is where I’m at now. Four trunked manuscripts later, over 200 agent rejections (I don’t count small presses or short story submissions, but there are probably ~100 of those too), and no concrete proof that I’ve ever written a book. Oh, and I forgot to mention that all the above books apart from the first were submitted to mentorship contests and I never got chosen for a single one.

Frankly, I don’t know where I’m going from here. I don’t know what will happen for me and my writing career. I lost hope a long time ago. I am actively working on two other WIPs, I have several more ideas beyond that, but there are no guarantees whatsoever. There isn’t some magical crystal ball that can say “well if you keep doing this for ten more years, you will have a book deal.”

I don’t really have any advice. I just hope this resonates with others. You’re not the only one struggling, despite what the algorithms seem to suggest. I’ve become so bitter and jaded by this whole process that sometimes I forget that my love of writing is how this journey started. I struggle to connect with other writers because professional jealousy devours me whole. I’m twiddling my thumbs at the starting line while everyone else has lapped me several times over. I’ve stepped back from twitter, I can’t check reddit, and so I sit in my isolated bubble and write my next manuscript and try to ignore all the things I can’t control.

Image of a frozen soap bubble (yellow in the sun) on a frozen ground.
Image added by Aimee, not the author. Image by rihaij from Pixabay.