When we talk about “agency” in literature, we are usually talking about the protagonist of the story: (1) having the ability to act in his/her/their environment, then; (2) acting.
Well, as it turns out, not for me.
Agency is something I always have to write into my manuscripts after multiple drafts. My critique partners and beta readers always come back to me telling me my characters don’t have enough (or any) agency. The character is supposed to move the plot, not the other way around. It’s a concept taught in every 101 creative writing class.
Yet… it always eludes me.
Struggling with agency is a common problem for a lot of writers, but recently, I’ve been thinking about why it’s such a reoccurring problem for me. You see, it’s not one character or one book or one series that lacks agency for me. It’s all of them. Even though I should know better. Even though I write thinking this time I’m not going to have to edit agency into my character. Thinking this time I’m going to get it right. But I never do, and I have to wonder why.
I think the answer comes from another definition.
Complex Post Traumatic Stress Disorder is a condition that results from chronic or long-term exposure to trauma over which a victim has little or no control and from which there is little or no hope of escape
[Emphasis added]. Source.
I’ve written about my C-PTSD and how it relates to my reading and writing experiences before, but though I’ve previously connected the two things, I never made this particular connection.
It’s hard for me to write agency, because my mind is wired to believe I have none.
My C-PTSD stems from childhood abuse. That’s all I’m really willing to share about that out here, exposed on the internet, but for purposes of this post, I think it’s important that it’s understood this trauma occurred when I was very young and went on for a long, long time. It shaped the way my brain behaves. Seriously. Physical changes in my brain happened and those things impact my worldview. Deeply.
Though I’m older now, and I have agency, and I go to therapy to unravel and unpack all this trauma, I still struggle. I have an extremely difficult time making decisions. I get overwhelmed easily. When I’m in a dangerous or even mildly upsetting situation, I freeze. I have the ability to control my environment, but I struggle to do so. It’s uncomfortable, and it makes me nauseous and anxious.
Because deep down, I don’t understand agency. Agency is, at its root, having some kind of control or influence over your life situation. Something I never had. And if I’m honest with myself, it scares me.
My reactions to the world taking hold of the reins for me are much better. When someone dies, for instance, I’m the most level-headed person in the room. Not being in control is something I’m intimately familiar with and have learned to navigate beautifully. Which is… different.
I started to write unhealthy there, then changed it. Because maybe it’s not unhealthy. Maybe it’s simply different. Maybe it’s how I operate. And maybe that’s okay.
And maybe this is all to say that while I believe agency is important (and I do write it into my manuscripts where it’s needed), lack of agency might be just as important with some characters, and is something I would love to see explored further.
Can you tell a compelling story if your character has no agency? And how should we even define agency? Can’t agency be taking actions to survive, even if they’re not active actions? What if agency, for some characters, is not acting but freezing? What if agency is not striking back, but appeasing? What if agency is looking at a hopeless situation from which there is no escape, but hoping for one anyway?
What if agency could be rewritten?
Next Week on the Blog: Dreams, Failure, and the What Could Be Wish